morning-dress. There was, nevertheless, one familiar point. She had, as usual, a flower in her hair, brilliant and of a rare variety, else it had not been Zenobia. After a brief pause at the window, she turned away, exemplifying, in the few steps that removed her out of sight, that noble and beautiful motion which characterized her as much as any other personal charm. Not one woman in a thousand could move so admirably as Zenobia. Many women can sit gracefully; some can stand gracefully; and a few, perhaps, can assume a series of graceful positions. But natural movement is the result and expression of the whole being, and cannot be well and nobly performed, unless responsive to some thing in the character. I often used to think that music—light and airy, wild and passionate, or the full harmony of stately marches, in accordance with her varying mood—should have attended Zenobia's footsteps.
I waited for her reäppearance. It was one peculiarity, distinguishing Zenobia from most of her sex, that she needed for her moral well-being, and never would forego, a large amount of physical exercise. At Blithedale, no inclemency of sky or muddiness of earth had ever impeded her daily walks. Here, in town, she probably preferred to tread the extent of the two drawing-rooms, and measure out the miles by spaces of forty feet, rather than bedraggle her skirts over the sloppy pavements. Accordingly, in about the time requisite to pass through the arch of the sliding-doors to the front window, and to return upon her steps, there she stood again, between the festoons of the crimson curtains. But another personage was now added to the scene. Behind Zenobia appeared that face which I had first encountered in the
