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ZENOBIA'S DRAWING-ROOM.
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confidence. The thought came sadly across me, how great was the contrast betwixt this interview and our first meeting. Then, in the warm light of the country fireside, Zenobia had greeted me cheerily and hopefully, with a full, sisterly grasp of the hand, conveying as much kindness in it as other women could have evinced by the pressure of both arms around my neck, or by yielding a cheek to the brotherly salute. The difference was as complete as between her appearance at that time,—so simply attired, and with only the one superb flower in her hair,—and now, when her beauty was set off by all that dress and ornament could do for it. And they did much. Not, indeed, that they created or added anything to what Nature had lavishly done for Zenobia. But, those costly robes which she had on, those flaming jewels on her neck, served as lamps to display the personal advantages which required nothing less than such an illumination to be fully seen. Even her characteristic flower, though it seemed to be still there, had undergone a cold and bright transfiguration; it was a flower exquisitely imitated in jeweller's work, and imparting the last touch that transformed Zenobia into a work of art.

"I scarcely feel," I could not forbear saying, "as if we had ever met before. How many years ago it seems since we last sat beneath Eliot's pulpit, with Hollingsworth extended on the fallen leaves, and Priscilla at his feet! Can it be, Zenobia, that you ever really numbered yourself with our little band of earnest, thoughtful, philanthropic laborers?"

"Those ideas have their time and place," she answered, coldly. "But I fancy it must be a very circumscribed mind that can find room for no others."

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