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ZENOBIA'S DRAWING-ROOM.
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possesses the faculty of distinguishing heroism from absurdity."

I dared make no retort to Zenobia's concluding apothegm. In truth, I admired her fidelity. It gave me a new sense of Hollingsworth's native power, to discover that his influence was no less potent with this beautiful woman, here, in the midst of artificial life, than it had been at the foot of the gray rock, and among the wild birch-trees of the wood-path, when she so passionately pressed his hand against her heart. The great, rude, shaggy, swarthy man! And Zenobia loved him!

"Did you bring Priscilla with you?" I resumed. "Do you know I have sometimes fancied it not quite safe, considering the susceptibility of her temperament, that she should be so constantly within the sphere of a man like Hollingsworth. Such tender and delicate natures, among your sex, have often, I believe, a very adequate appreciation of the heroic element in men. But then, again, I should suppose them as likely as any other women to make a reciprocal impression. Hollingsworth could hardly give his affections to a person capable of taking an independent stand, but only to one whom he might absorb into himself. He has certainly shown great tenderness for Priscilla."

Zenobia had turned aside. But I caught the reflection of her face in the mirror, and saw that it was very pale,—as pale, in her rich attire, as if a shroud were round her.

"Priscilla is here," said she, her voice a little lower than usual. "Have not you learnt as much from your chamber window? Would you like to see her?"

She made a step or two into the back drawing-room, and called,

"Priscilla! Dear Priscilla!"