lutionary officers with three-cornered cocked hats, and queues longer than their swords. A bright-complexioned, dark-haired, vivacious little gypsy, with a red shawl over her head, went from one group to another, telling fortunes by palmistry; and Moll Pitcher, the renowned old witch of Lynn, broomstick in hand, showed herself prominently in the midst, as if announcing all these apparitions to be the offspring of her necromantic art. But Silas Foster, who leaned against a tree near by, in his customary blue frock, and smoking a short pipe, did more to disenchant the scene, with his look of shrewd, acrid, Yankee observation, than twenty witches and necromancers could have done in the way of rendering it weird and fantastic.
A little further off, some old-fashioned skinkers and drawers, all with portentously red noses, were spreading a banquet on the leaf-strewn earth; while a horned and long-tailed gentleman (in whom I recognized the fiendish musician erst seen by Tam O'Shanter) tuned his fiddle, and summoned the whole motley rout to a dance, before partaking of the festal cheer. So they joined hands in a circle, whirling round so swiftly, so madly, and so merrily, in time and tune with the Satanic music, that their separate incongruities were blended all together, and they became a kind of entanglement that went nigh to turn one's brain with merely looking at it. Anon they stopt all of a sudden, and staring at one another's figures, set up a roar of laughter; whereat a shower of the September leaves (which, all day long, had been hesitating whether to fall or no) were shaken off by the movement of the air, and came eddying down upon the revellers.
