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MIDNIGHT.
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show ludicrously, I doubt not, on my page, but must come in, for its sterling truth. Being the woman that she was, could Zenobia have foreseen all these ugly circumstances of death,—how ill it would become her, the altogether unseemly aspect which she must put on, and especially old Silas Foster's efforts to improve the matter,—she would no more have committed the dreadful act than have exhibited herself to a public assembly in a badly-fitting garment! Zenobia, I have often thought, was not quite simple in her death. She had seen pictures, I suppose, of drowned persons in lithe and graceful attitudes. And she deemed it well and decorous to die as so many village maidens have, wronged in their first lover, and seeking peace in the bosom of the old, familiar stream,—so familiar that they could not dread it,—where, in childhood, they used to bathe their little feet, wading mid-leg deep, unmindful of wet skirts. But in Zenobia's case there was some tint of the Arcadian affectation that had been visible enough in all our lives, for a few months past.

This, however, to my conception, takes nothing from the tragedy. For, has not the world come to an awfully sophisticated pass, when, after a certain degree of acquaintance with it, we cannot even put ourselves to death in whole-hearted simplicity?

Slowly, slowly, with many a dreary pause,—resting the bier often on some rock, or balancing it across a mossy log, to take fresh hold,—we bore our burthen onward through the moonlight, and at last laid Zenobia on the floor of the old farm-house. By and by came three or four withered women, and stood whispering around the corpse, peering at it through their spectacles,