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THE BOOK OF TEA



in modern Japan. We marvel why, among the most progressive Western nations, architecture should be so devoid of originality, so replete with repetitions of obsolete styles. Perhaps we are now passing through an age of democratisation in art, while awaiting the rise of some princely master who shall establish a new dynasty. Would that we loved the ancients more and copied them less! It has been said that the Greeks were great because they never drew from the antique.

The term, Abode of Vacancy, besides conveying the Taoist theory of the all-containing, involves the conception of a continued need of change in decorative motives. The tea-room is absolutely empty, except for what may be placed there temporarily to satisfy some aesthetic mood. Some special art object is

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