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THE BOOK OF TEA



of design was considered as fatal to the freshness of imagination. Thus, landscapes, birds, and flowers became the favourite subjects for depiction rather than the human figure, the latter being present in the person of the beholder himself. We are often too much in evidence as it is, and in spite of our vanity even self-regard is apt to become monotonous.

In the tea-room the fear of repetition is a constant presence. The various objects for the decoration of a room should be so selected that no colour or design shall be repeated. If you have a living flower, a painting of flowers is not allowable. If you are using a round kettle, the water pitcher should be angular, A cup with a black glaze should not be associated with a tea-caddy of black lacquer. In placing a

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