THE FIRST BOOK OF THE COURTIER
the reasons you give and for many others, that music is not only an ornament but a necessity to the Courtier. Yet I would have you declare in what way this and the other accomplishments that you prescribe for him, are to be practised, and at what time and in what manner.130 For many things that are praiseworthy in themselves often become very inappropriate when practised out of season, and on the other hand, some that seem of little moment are highly esteemed when made use of opportunely."
49.— Then the Count said:
"Before we enter upon that subject, I wish to discuss another matter, which I deem of great importance and therefore think our Courtier ought by no means to omit: and this is to know how to draw and to have acquaintance with the very art of painting.
"And do not marvel that I desire this art, which to-day may seem to savour of the artisan and little to befit a gentleman; for I remember having read that the ancients, especially throughout Greece, had their boys of gentle birth study painting in school as an honourable and necessary thing, and it was admitted to the first rank of liberal arts; while by public edict they forbade that it be taught to slaves. Among the Romans too, it was held in highest honour, and the very noble family of the Fabii took their name from it; for the first Fabius was given the name Pictor, because,— being indeed a most excellent painter, and so devoted to painting that when he painted the walls of the temple of Health,— he inscribed his own name thereon;131 for although he was born of a family thus renowned and honoured with so many consular titles, triumphs and other dignities, and although he was a man of letters and learned in the law, and numbered among the orators,— yet he thought to add splendour and ornament to his fame by leaving a memorial that he had been a painter. Nor is there lack of many other men of illustrious family, celebrated in this art; which besides being very noble and worthy in itself, is of great utility, and especially in war for drawing places, sites, rivers, bridges, rocks, fortresses, and the like; since however well we may keep them in memory (which is very difficult), we cannot show them to others.
"And truly he who does not esteem this art, seems to me very
