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upon the question of the origin of the interpolated tales; but, in view of the strong presumption afforded by internal evidence that they are of modern composition and form no part of the authentic text, it can hardly be expected, where the result and the value of that result are alike so doubtful, that any competent person will be found to undertake so heavy a task, except as incidental to some more general enquiry. The only one of the eleven, which seems to me to bear any trace of possible connection with the Book of the Thousand Nights and One Night, is Aladdin, and it may be that an examination of the MS. copies of the original work within my reach will yet enable me to trace the origin of this favourite story.
Having at his command the earlier portion only of the collection, Galland was in some measure compelled to invent a denouement, in which he represents the Sultan as pardoning Sheherazade, in consideration of the pleasure her story-telling talents had afforded him. If we turn to the authentic text, we find a totally different version. It appears that Sheherazade had (somewhat irreconcileably) during the progress of the story-telling (extending over nearly three years) borne the Sultan three male children; and in concluding the story of the thousand and first night, she presents these latter to him, begging him to spare her life and not leave her infants motherless. To this he consents in the most gracious fashion, telling her that he had, before their birth, resolved to spare her, in consideration of the great qualities of virtue, wisdom and nobility of mind he had discovered
