UNCLE PIO
brated its feast days by hearing a Mass of Tomás Luis da Victoria in the morning and the glittering poetry of Calderón in the evening. It is true that the Limeans were given to interpolating trivial songs into the most exquisite comedies and some lachrymose effects into the austerest music; but at least they never submitted to the boredom of a misplaced veneration. If they had disliked heroic comedy the Limeans would not have hesitated to remain at home; and if they had been deaf to polyphony nothing would have prevented their going to an earlier service. When the Archbishop returned from a short trip to Spain, all Lima kept asking: “What has he brought?” The news finally spread abroad that he had returned with tomes of masses and motets by Palestrina, Morales and Vittoria, as well as thirty-five plays by Tirso de Molina and Ruiz de Alarçon and Moreto. There was a civic fête in his honor. The choir-boys’ school and the green room of the Comedia were swamped with the gifts of vegetables and
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