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18
THE CHESSMEN OF MARS

more intricate and more beautiful. Before a Martian youth of either sex may attend an important social function where there is dancing, he must have become proficient in at least three dances—The Dance of Barsoom, his national dance, and the dance of his city. In these three dances the dancers furnish their own music, which never varies; nor do the steps or figures vary, having been handed down from time immemorial. All Barsoomian dances are stately and beautiful, but The Dance of Barsoom is a wondrous epic of motion and harmony—there is no grotesque posturing, no vulgar or suggestive movements. It has been described as the interpretation of the highest ideals of a world that aspired to grace and beauty and chastity in woman, and strength and dignity and loyalty in man.

Today, John Carter, Warlord of Mars, with Dejah Thoris, his mate, led in the dancing, and if there was another couple that vied with them in possession of the silent admiration of the guests it was the resplendent Jed of Gathol and his beautiful partner. In the ever-changing figures of the dance the man found himself now with the girl's hand in his and again with an arm about the lithe body that the jeweled harness but inadequately covered, and the girl, though she had danced a thousand dances in the past, realized for the first time the personal contact of a man's arm against her naked flesh. It troubled her that she should notice it, and