THE CHRONICLE OF CLEMENDY
found out what fine things this candle was able to show him. Then casting a side glance to his right he saw a painting on the wall, as fresh and gay as if it had just received the last touch, and furnished with come curious conceits. On a marble bench, overshadowed with mulberry trees, he saw an ugly old man with goggle eyes sitting, and beside him were masks of all shapes and forms, each one wrinkled into a stupendous grin; and with his hands the old fellow was kneading and twisting the mouth of one of these masks, while at his elbow lay one whose nose he had adorned with warts and knobs most hideous to behold. And beneath this picture was written in Latin The Invention of Laughter. A little beyond stood painted a Court of ancient, black gowned men sitting at a table; with their clerks beneath them writing on great rolls of parchment; and before this court were a naked youth and a maiden, hand in hand, who seemed to plead for mercy. This was called The Court Baron of Love. I pass over other pictures that Sir Payne did see, called Joyous Disport, The Triumph of Folly, and The Battle of the Rocks; and stop at the likeness of a great white goose, standing by a stream and bending her neck round to her tail, for under this was a long legend, beginning Form and Matter. Next was a maiden of bewitching comeliness, lying amidst flowers beside a wandering brooklet, with flashes of sunlight lighting on her beautiful færy body, but vainly matching itself against the glory of her black eyes, and the roguish smile on her full red lips. Her name was set down
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