This page has been proofread, but needs to be validated.

THE CHRONICLE OF CLEMENDY

with all its loveliness bound fast in his service. In short they reached the valley together and mounted up unto the wonderful Chasteau de Par Amours, where, certes, there is choice entertainment and soft lodging; musick too from horns, harps, and vyalls to pierce the heart; and deambulatories in rose-gardens and along incredible galleries hanging from the summits of pinnacled tower and of stony wall. But alas! one must pay one's shot for all this, the musick turns at last to sickness and fear, there's nightshade amidst the rose hedges, and sharp rocks below those high hanging ways. What shall I say of the overshadowed parliaments in the woods, their countersigns and secret signals to one another, and of the times when Constance, full of shame yet fuller of love, went stealthily in the dead of night along dark passages by the savage warriors of the arras, and up the long weary winding stair to Luigi's chamber? Once Duke Guido met her and asked her what she did at such an hour, but the keen wit of a woman in love easily found an excuse to satisfy her husband, so the revelling at the Castle went on gaily. You see all her notions of winning her husband's love had quite fallen into forgetfulness, and she thought only of enjoying Luigi's, wondering dimly, now and then, as she lay in his arms, at her old innocent life, but never desiring that it might come back. For when it has come to this pass, and the drawbridge of the castle has been drawn up, a woman who is sharp-witted knows that there is no returning: the card is on the board and may not be taken again. How

[ 257 ]