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Chap. III.
THE DEVIL'S GATE.—RATTLESNAKE HILLS.
151

Passing pleasant, after the surly ungenial silence of the Shallow River, is the merry prattle with which she answers the whisperings of those fickle flatterers, the winds, before that wedding-day when silence shall become her doom. There is a something in the Sweetwater which appeals to the feelings of rugged men: even the drivers and the station-keepers speak of "her" with a bearish affection.

After fording the swift Pina Pa, at that point about seventy feet wide and deep to the axles, we ran along its valley about six miles, and reached at 9 15 P.M. the muddy station kept by M. Planté, the usual Canadian. En route we had passed by the Devil's Gate, one of the great curiosities of this line of travel. It is the beau ideal of a kanyon, our portal opening upon the threshold of the Rocky Mountains: I can compare its form from afar only with the Brêche de Roland in the Pyrenees. The main pass of Aden magnified twenty fold is something of the same kind, but the simile is too unsavory. The height of the gorge is from 300 to 400 feet perpendicular, and on the south side threatening to fall: it has already done so in parts, as the masses which cumber the stream-bed show. The breadth varies from a minimum of 40 to a maximum of 105 feet, where the fissure yawns out, and the total length of the cleft is about 250 yards. The material of the walls is a gray granite, traversed by dikes of trap; and the rock in which the deep narrow crevasse has been made runs right through the extreme southern shoulder of a ridge, which bears appropriately enough the name of "Rattlesnake Hills." Through this wild gorge the bright stream frets and forces her way, singing, unlike Liris, with a feminine untaciturnity, that awakes the echoes of the pent-up channel—tumbling and gurgling, dashing and foaming over the snags, blocks, and boulders, which, fallen from the cliffs above, obstruct the way, and bedewing the cedars and bright shrubs which fringe the ragged staples of the gate. Why she should not have promenaded gently and quietly round, instead of through, this grisly barrier of rock, goodness only knows: however, willful and womanlike, she has set her heart upon an apparent impossibility, and, as usual with her sex under the circumstances, she has had her way. Sermons in stones—I would humbly suggest to my gender.

Procrastination once more stole my chance; I had reserved myself for sketching the Devil's Gate from the southwest, but the station proved too distant to convey a just idea of it. For the truest representation of the gate, the curious reader will refer to the artistic work of Mr. Frederick Piercy;[1] that published in Captain Marcy's "List of Itineraries" is like any thing but the Devil's Gate; even the rough lithograph in Colonel Frémont's report is more truthful.

"We supped badly as mankind well could at the cabaret, where

  1. Route from Liverpool to Great Salt Lake City.