884 APPENDIX sec. VI al mille circa (1889), is an exposition of the influence of the Greeks on architectural sculpture (there are French and English translations of this work) ; Bayet, Recherches pour servir k I'histoire de la Peinture et de la Sculpture chrdtiennes en orient avant la querelle des Iconoclastes (1879, Bib. des £c. Fran9. d'Athfenes, etc.), contains much of interest. Important material is contained in Strzygowski's Byzantinische Denkmaler, Bd. I and II (1891-1893). See also, generally, Schnaase, Geschichte der Bildenden Kunste, Bd. Ill, Buch 11; Kraus, Geschichte der christlichen Kunst, Bd. I, pp. 538-590; Bd. II, pp. 77-97; A. Springer, Introduction to KondakofE's work ; also ib., Die Byzantinische Kunst und ihr Einfluss im Abenlande (Bilder aus der neueren Kunstgeschichte) ; Choisy, Histoire de I'architecture, Vol. II, pp. 7-15, 40-86, 240-257 ; G. Aitchison, Byzantine Archi- tecture, Trans. Royal Inst. British Architects, Vol. VIII, N.S. 221-264 ; Didron and Durand, Manuel d'iconographie chr^tieune grecque et latine (1845), sometimes referred to as "Guide de la Peinture," or the "Byzantine Guide to Painting " ; the original was published in Greek by Kon- stantinides, under the name of Epfxrjvela rQ>v ^wypa^wv; German trans, by G. Schaefer (1855) and English trans, of the most important part by Margaret Stokes, in the second volume of her trans, of Didron's Christian Iconography (Bohn, 1886); Fr. Lenormant, La Grande Grdce (2d Ed., 1881-1884) ; Salazaro, Studi sui Monumenti della Italia meridionale dal 4° al 13° secolo (1871-1877) ; Muntz, Les Artists Byzantins dans I'Europe latine, Rev. de I'art chr^t., XXXVI (1893); A. L. Frothingham, Byzantine Artists in Italy, Am. Journal of Archaeology, IX (1894) ; Kraus, Die Wandgemalde von S. Angelo in Formis, Jahrbuch der Preus. Kunstsammlungen (1893) ; Dobbert, the same, in t6., 1894; CoUignon, Histoire de la Sculpture Grecque (1892); Ernest Gardner, Handbook of Greek Sculpture (1896) ; Jex- Blake and Sellers, Pliny's chapters on the History of Art (1896).
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