Page:The Complete Short Stories of Guy de Maupassant.djvu/75

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IN THE MOONLIGHT
53

grand and serene beauty of the pale-faced night.

In his little garden, bathed in the soft brilliance, his fruit-trees, all a-row, were outlining in shadow upon the walk their slender limbs of wood scarce clothed with green; while the giant honeysuckle climbing on the house wall exhaled delicious, sugared breaths, which hovered through the warm, clear night like a perfumed soul.

He began to breathe deep, drinking the air as drunkards drink their wine, and walking slowly, ravished, surprised, and almost oblivious of his niece.

As he stepped into the open country he stopped to contemplate the whole plain, inundated by this caressing radiance, and drowned in the tender and languishing charm of the serene night. In chorus the frogs threw into space their short, metallic notes, and with the seduction of the moonlight, distant nightingales mingled that fitful music of theirs which brings no thoughts but dreams, a light and vibrant melody which seems attuned to kisses.

The abbé continued his walk, his courage failing, he knew not why. He felt, as it were, enfeebled, and suddenly exhausted; he had a great desire to sit down, to pause right there and praise God in all His works.

Below him, following the bends of the little river, wound a great line of poplars. On and about the banks, wrapping all the tortuous watercourse in a kind of light, transparent wadding, hung suspended a fine mist, a white vapor, which the moon-rays crossed, and silvered, and caused to gleam.

The priest paused yet again, penetrated to the depths of his soul by a strong and growing emotion. And a doubt, a vague uneasiness, seized on him; he felt that one of those questions he sometimes put to himself was now being born.

Why had God done this? Since the night is destined for sleep, for unconsciousness, for repose, for forgetfulness of everything, why, then, make it more charming than the day, sweeter than dawns and sunsets? And this slow, seductive star, more poetical than the sun and so discreet, that it seems designed to light up things too delicate, too mysterious, for the great luminary,—why had it come to brighten all the shades? Why did not the sweetest of all songsters go to rest like the others? Why set himself to singing in the vaguely troubling dark? Why this half-veil over the world? Why these quiverings of the heart, this emotion of the soul, this languor of the body? Why this display of seductions which mankind never sees, since night brings sleep? For whom was this sublime spectacle intended, this flood of poetry poured from heaven to earth? The abbé did not understand it at all.

But then, down there along the edge of the pasture appeared two shadows walking side by side under the arched roof of the trees all soaked in glittering mist.

The man was the taller, and had his arm about his mistress's neck; from time to time he kissed her on the forehead. They animated the lifeless landscape which enveloped them, a divine frame made, as it were, expressly for them. They seemed these two, a single being, the being for whom this calm