Brüllof answered:—
"Art begins where scarcely begins."
This observation is strikingly true, not in relation to art alone, but to all of life. It may be said that a true life begins where "scarcely" begins, where the scarcely perceptible, almost infinitely small, changes take place. The true life is produced, not where the great externals are effectuated, where men move about, jostle one another, struggle, and fight, but it is produced where the scarcely differentiated changes are accomplished.
The true life of Raskolnikof[1] was not accomplished when he killed the old money-lender and her sister. While he was killing the old woman, and especially her sister, he was not living his true life, but was acting like a machine, doing what he could not help doing, discharging the cartridge with which he had long ago been loaded. One old woman lay killed, the other was before him there; the ax was in his hand.
The true life of Raskolnikof was not proceeding at the time when he met the old woman's sister, but at the time when he had not as yet killed even the old woman herself, had not yet entered another person's room with murder in view, had not taken the ax in his hand, had not the noose under his cloak on which he hung it, before he had ever thought of the old woman; but it was while he was lying on the divan in his own room, not even thinking of the old woman or even whether he could or could not at the will of another man wipe from the face of the earth a useless and dangerous person, but was deciding whether it was suitable or not for him to live in Petersburg, whether it was suitable or not for him to take money from his mother, and other questions not at all affecting the old woman. And here at that time, in the animal kingdom, entirely independent of the reality, were decided the questions whether he should or should not kill the old money-lender. These questions were decided, not when he, having killed one old woman, stood with his ax before the second, but at the
- ↑ The hero of Dostayevsky's most famous novel, "Crime and Punishment."—Ed.
