came so fond of the opera that, tired of babbling, eating, and playing in the boxes when I wished to listen, I frequently withdrew from the company to another part of the theater. There, quite alone, shut up in my box, I abandoned myself, notwithstanding the length of the representation, to the pleasure of enjoying it at ease unto the conclusion. One evening at the theatre of Saint Chrysostom, I fell into a more profound sleep than I should have done in my bed. The loud and brilliant airs did not disturb my repose. But who can explain the delicious sensations given me by the soft harmony of the angelic music, by which I was charmed from sleep; what an awaking! what ravishment! what ecstasy, when at the same instant I opened my ears and eyes! My first idea was to believe I was in paradise. The ravishing air, which I still recollect and shall never forget, began with these words:
Conservami la bella,
Che si m'accende il cor.
I was desirous of having it; I had and kept it for a time; but it was not the same thing upon paper as in my head. The notes were the same but the thing was different. This divine composition can never be executed but in my mind, in the same manner as it was the evening on which it woke me from sleep.
A kind of music far superior, in my opinion, to that of operas, and which in all Italy has not its equal, nor perhaps in the whole world, is that of the 'scuole'. The 'scuole' are houses of charity, established for the education of young girls without fortune, to whom the republic afterwards gives a portion either in marriage or for the cloister. Amongst talents cultivated in these young girls, music is in the first rank. Every Sunday at the church of each of the four 'scuole', during vespers, motettos or anthems with full choruses, accompanied by a great orchestra, and composed and directed by the best masters in Italy, are sung in the galleries by girls only; not one of whom is more than twenty years of age. I have not an idea of anything so voluptuous and affecting as this music; the richness of the art, the exquisite taste of the vocal part, the excellence of the voices, the justness of the execution, everything in these delightful concerts concurs to produce an impression which certainly is not the mode, but from which I am of opinion no heart is secure. Carrio and I never failed being
