But when there will be no more starvelings ready to sell their work for a pittance, when the exploited worker of to-day will be educated, and will have his own ideas to put down in black and white and to communicate to others, then the authors and scientific men will be compelled to combine among themselves and with the printers, in order to bring out their prose and their poetry.
So long as men consider fustian and manual labour a mark of inferiority, it will appear amazing to them to see an author setting up his own book in type, for has he not a gymnasium or games by way of diversion? But when the opprobrium connected with manual labour has disappeared, when all will have to work with their hands, there being no one to do it for them, then the authors as well as their admirers will soon learn the art of handling composing-sticks and type; they will know the pleasure of coming together—all admirers of the work to be printed—to set up the type, to shape it into pages, to take it in its virginal purity from the press. These beautiful machines, instruments of torture to the child who attends on them from morn till night, will be a source of enjoyment for those who will make use of them in order to give voice to the thoughts of their favourite author.
Will literature lose by it? Will the poet be less a poet after having worked out of doors or helped with his hands to multiply his work? Will the novelist lose his knowledge of human
