with industry by a thousand intermediate degrees, blended, so to say, as Ruskin and the great Socialist poet Morris have proved so often and so well. Everything that surrounds man, in the street, in the interior and exterior of public monuments, must be of a pure artistic form.
But this will only be capable of realization in a society in which all enjoy comfort and leisure. Then, we shall see art associations, in which each can find room for his capacity, for art cannot dispense with an infinity of purely manual and technical supplementary works. These artistic associations will undertake to embellish the houses of their members, as those kind volunteers, the young painters of Edinburgh, did in decorating the walls and ceilings of the great hospital for the poor in their city.
A painter or sculptor who has produced a work of personal feeling will offer it to the woman he loves, or to a friend. Executed for love's sake, will his work, inspired by love, be inferior to the art that to-day satisfies the vanity of the philistine, because it has cost much money?
The same will be done as regards all pleasures not comprised in the necessaries of life. He who wishes for a grand piano will enter the association of musical instrument makers. And by giving the association part of his half-days' leisure, he will soon possess the piano of his dreams. If he is passionately fond of astronomical studies he will join the association of astronomers, with its
