This page has been validated.
THE LIZARD TO HELSTON
147

extinct) was notable in the days of Derwent Coleridge, son of the poet, who was headmaster here at a time when Charles Kingsley was pupil; the second master was Johns, known to all botanists by his Flowers of the Field, and to all lovers of Cornwall by his Week at the Lizard. Kingsley utilised his knowledge of this corner of Cornwall when he wrote his Hereward, and there is no doubt that he derived much good from his schooling under such excellent masters as Coleridge and Johns. When writing of Helston it is customary to say a great deal about its Flora, or Furry Day, the 8th of May — a relic of old Maytide saturnalia. Though the dance through the streets to a special kind of hornpipe, in at the front doors and out at the back, is still continued, the old spirit that actuated it is dead — it has become very much of a make-believe, a show for visitors, a galvanised custom that might as well be decently buried.

If we believed the guide-books, we might imagine that Cornish folk were still a gay, childlike, merry-making people, carrying on the customs of their forefathers, cherishing the old traditions, nursing the old myths and superstitions, dreaming dreams and seeing visions. Even writers who might know better try to present them as a race apart, sharing to the full in that character of mysticism and vision which is attributed to Celtic peoples. As a matter of fact the Cornish are by no means gentle-minded simpletons nor poetic visionaries, though, of course, there may be a few of either class among them; and these nominally Celtic folk have no greater power of imagination than the natives of other English counties nominally Saxon. There is a strain of difference—some—