piers, the blue-guernseyed fishermen, the brown-sailed smacks (now partly giving place to steam-drifters), the rich-complexioned old men and women, the lovely bright-eyed children, the sturdy lads, the gulls, the wonderful bay. From the first there was an excellent understanding between the painters and the people; great tact was shown by the artists, and a mutual pride sprang up between them. What is true of Newlyn is true also of St. Ives and of all the haunts around Land's End where painters have established; rarely has there been any friction, even if the artists have sometimes been regarded as amiable madmen. It is true that John Brett, the marine painter, before Newlyn's most palmy days, managed to offend the natives by his too outspoken religious opinions and his habit of laying on colour with his palette-knife. "What can you expect," asked a fisherman, "of a man who says there's no God and paints his pictures with a knife?" It will be remembered that religious differences have been a cause of strife before now between Cornish fishermen and fishers who brought laxer views of Sunday fishing from the East Country. Such things have still a strong hold on those who "do business in great waters." But there are times when politics, blown to white-heat by the Bethels, will drive even religion from the minds of the fisher-folk, as we may judge by a story told by Mr. Hudson. It was after the visit of a lady missioner, who usually reaped a rich harvest of converts; some one asked the minister how many souls had been won on this occasion. "Not one this time," he answered; "we were too busy with the elections."
The Newlyn corner of Mount's Bay is named Gwavas Lake, and it is said that it once really
