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364 THE CORNWALL COAST district. Both figures represent St. Christopher bearing his sacred burden across the tide, and the details are in an advanced stage of symbolism. Far more pleasing, artistically, are the beautiful bench-ends of the early sixteenth century, with their various emblems of the Crucifixion, their armorial insignia, their symbols and initials. This church is peculiarly attractive, and its situation is delightful. From thence the road runs to Kilk- hampton, whither recollections of the Grenvilles have already carried us. We are now getting into the heart of the Hawker district, but other asso- ciations are so numerous here that it seems impossible to deal with them all in anything like an adequate manner. The Perpendicular church of Kilkhampton chiefly dates from the Elizabethan days when one of the Grenvilles was rector here ; but it embodies the beautiful Norman doorway from the church supposed to have been built in the eleventh century by another Grenville. Some other Norman traces are preserved — Rector Gren- ville was a judicious restorer. Of his date are the oak bench-ends, which are as good as Poughill's, and there is an elaborate screen. The monument of Sir Beville Grenville, erected long after his death by his grandson, is perhaps not quite what it ought to be — it is too dismal and conventional. It is very much in the spirit of the Calvinistic clergyman, James Hervey, who, when curate at Bideford, was so much impressed by Kilkhampton Church that it prompted his once famous Medi- tations among the Tombs. The work and others of its author's, such as Theron and Aspasio, may still be met with occasionally on old-fashioned bookshelves, or on the second-hand stalls ; and they forcibly remind us of the style of second-