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THE COUNTRY BOY
61

difficulty, the piece was started. I thought I had a pioneer idea that they didn’t need me, and for fear of being accused of breaking down the piece in case they made a fizzle of it, I would quit as soon as we got started—and did. I just made motions without hitting the drum; but it wasn’t a new thought, as nearly every other member had done the same thing, so when we approached the sixteen bars’ rest the only one player was the leader himself, and he had the tremolo stop out. He stopped just as a large skyrocket went up. We hadn’t been used to fireworks—that is, big ones—and the only barytone solo anybody heard was the barytone player yelling to the man next to him, “Look, quick, Tom, at that skyrocket.” Uncle Jake directed the butchers he had brought down to hear number eighteen, to the fireworks, and we never resumed the piece, and never saw each other until we met the next day on the train bound for home. Aside from that one piece the trip was a great musical triumph, and Uncle Jake was the hero.

A few more years passed studying character, when I joined the Good Templars Lodge. Father wanted to retire from it, and I was to