THE GOSPEL OF INFINITE PAINS
thing that people may admire on occasion, but dare not trust, for they never know what it is likely to do next. As between two artists of equal inborn talent a wise man would every time give preference to the one who, in addition to his inborn talent, shows the best command of that technical part of craftsmanship which comes only from persistent drilling. This, I take it, is the real point of that almost threadbare story of how Pope Benedict IX., wishing to have some paintings executed in St. Peter's, and having heard of the fame of the Florentine, Giotto, sent for some specimen or design by which he might judge Giotto's work; and how Giotto, with a turn of his hand, made a perfectly symmetrical circle and delivered it to the messenger, saying, "This is my design." This perfect circle was no evidence of an inborn talent, for nature does not endow any one of us at
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