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NOVELS OF VIRGINIA WOOLF
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struggling through the wood and roaring up when, goodness knows where from, pails flung water in beautiful hollow shapes as of polished tortoiseshell; flung again and again; until the hiss was like 2 swarm of bees; and all the faces went out’. How beautiful! Yet vision is only the frontier of her kingdom. Behind it lie other treasures; in particular the mind.

Her remarkable intellectual powers have nothing to do with common sense—masses of roses can be gathered at Christmas for instance, and the characters in one book need bear no resemblance to their namesakes in another. Nor is she much occupied in presenting clever men and women. What thrills her—for it starts as a thrill—is the actual working of a brain, especially of a youthful brain, and there are passages in Jacob’s Room where the process becomes as physical as the raising of a hand. Moreover she reverences learning; it gives her disinterested pleasure, increases the natural nobility of her work.

Stone lies solid over the British Museum, as bone lies cool over

the visions and heats of the brain. Only here the brain is Plato’s brain and Shakespeare’s; the brain has made pots and statues, great bulls and little jewels, and crossed the river of death this way and that incessantly, seeking some landing, now wrapping the body well for its long sleep; now laying a penny piece on the eyes; now turning the toes scrupulously to the East. Meanwhile Plato continues his dialogue; in spite of the rain; in spite of the cab whistles; in spite of the woman in the mews behind Great Ormond Street who has come home drunk and cries all night long ‘Let me in, let me in’.

The Phaedrus is very difficult. And so, when at length one reads straight ahead, falling into step, marching on becoming (so it seems) momentarily part of this rolling, imperturbable energy, which has driven darkness before it since Plato walked the Acropolis, it is impossible to see to the fire.

The dialogue draws to its close. Plato’s argument is done. Plato’s argument is stowed away in Jacob’s mind, and for five minutes Jacob’s mind continues alone, onwards, into the darkness. Then, getting up, he parted the curtains, and saw, with astonishing
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