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MUSIC, PAINTING, AND POETRY.
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brightest emanations of genius in the place of domestic duty, I do not see why the two should not exist together; nor am I quite convinced that, although a vast proportion of mankind have lost their relish for poetry, it would not in reality be better for them to be convinced by their companions of the gentler sex, that poetry, so far from being incompatible with social or domestic comfort, is capable of being associated with every rational and lawful enjoyment.

Yes, it is better for every one to have their minds elevated, rather than degraded—raised up to a participation in thoughts and feelings in which angels might take a part, rather than chained down to the grovelling cares of mere corporeal existence; and never do we feel more happy, than when, in the performance of any necessary avocation, we look beyond the gross material on which we are employed to those relations of thought and feeling, that connect the act of duty which occupies our hands with some being we love, that teach us to realize, while thus engaged, the smile of gratitude which is to constitute our reward, or the real benefit that act will be the means of conferring, even when no gratitude is there.

What man of cultivated mind, who has ever tried the experiment, would choose to live with a woman, whose whole soul was absorbed in the strife, the tumult, the perpetual discord which constant occupation in the midst of material things so inevitably produces; rather than with one whose attention, equally alive to practical duties, had a world of deeper feeling in her "heart of hearts," with which no selfish, worldly, or vulgar thoughts could mingle?

It is not because we love poetry, that we must be always reading, quoting, or composing it. Far otherwise. For that bad taste, which would thus abuse and misapply so sacred a gift, is the very opposite of poetical. The love of poetry, or, in other words, the experience of deep poetic