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TASTE, TACT, AND OBSERVATION.
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Have we not all seen in society, the ridiculous spectacle of a young and forward girl, exhibiting all the extravagance of juvenile importance in her condemnation of a book, which has not happened to please her fancy; when, had she waited a few minutes longer, the conversation would have taken such a turn, as would have convinced her that amongst wise men, and enlightened women, the work was considered justly worthy of high commendation? With what grace could she, then, after having thus committed herself, either defend, or withdraw her own opinions? or with what complacency could she reflect upon the exposure she had made of her bad taste, before persons qualified to judge? Far wiser is the part, perhaps, of her more diffident companion, who having equally failed in discovering the merits of the work in question, goes home and reads it again, with her attention more directed to its beauties; and who, even if she fails at last in deriving that pleasure from the book which she had hoped, has the humility to conclude that the fault is in her own taste, which she then begins to regulate upon a new principle, and with a determination to endeavour to admire what the best judges pronounce to be really excellent.

We must not, however, attach too much importance to good taste, nor require it to operate beyond its legitimate sphere. Taste, unquestionably, gives a bias to the character, in its tendency to what is elevated or low, refined or vulgar; but after all, the part of taste is only that of a witness called into a court of justice, to test the value of an article, which has some relation to the great and momentous decision in which the judge, the jury, and the court, are so deeply interested. As taste is that witness, religion is that judge; and it is only as the one is kept subservient to the other, that it can be rendered conducive to our happiness or our good.