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WILLIAM BUTLER YEATS
203

were, and the personal action and desire, took a new form at the approach of death. He made two or three charmingly blasphemous designs; I think especially of a Madonna and Child where the Child has a foolish doll-like face, and an elaborate modern baby's dress; and of a St Rose of Lima in an expensive gown decorated with roses, ascending to Heaven upon the bosom of the Madonna, her face enraptured with love, but with that form of it which is least associated with sanctity. I think that his conversion to Catholicism was sincere, but that so much of impulse as could exhaust itself in prayer and ceremony, in mere action and desire, found itself mocked by the antithetical image; and yet I am perhaps mistaken, perhaps it was merely his recognition that historical Christianity had dwindled to a box of toys, and that it might be amusing to empty the whole box on to the counterpane.


XXXIX

I had been a good deal in Paris, though never very long at any time, my later visits with a member of the Rhymers' Club whose curiosity or emotion was roused by every pretty girl. He treated me with a now admiring, now mocking wonder, because being in love, and in no way lucky in that love, I had grown exceedingly puritanical so far as my immediate neighbourhood was concerned. One night, close to the Luxembourg, a strange young woman in bicycling costume, came out of a side street, threw one arm about his neck, walked beside us in perfect silence for a hundred yards or so, and then darted up another side street. He had a red and white complexion and fair hair, but how she discovered that in the dark I could not understand. I became angry and reproachful, but he defended himself by saying "You never meet a stray cat without caressing it, I have similar instincts." Presently we found ourselves at some café—the Café d'Harcourt I think—and when I looked up from my English newspaper, I found myself surrounded with painted ladies and saw that he was taking vengeance. I could not have carried on a conversation in French, but I was able to say, "That gentleman over there has never refused wine or coffee to any lady," and in a little they had all settled about him like greedy pigeons.

I had put my ideal of those years, an ideal that passed away with youth, into my description of "Proud Costello." "He was of those