ther with his forcible attempt to carry off the suppliants, prepares the spectator for the arrival of the Egyptian pursuers in the succeeding drama. Attention has been called to the picturesque beauty of the opening scene, where, holding in their hands their wool-wreathed myrtle boughs, and arrayed in white apparel, which formed a striking contrast to their swarthy limbs, the suppliants grouped themselves under the statues of the gods: they would, moreover, be regarded with peculiar interest as wanderers from the valley of the Nile, "the wondrous river fed with snow," upon whose fountains no human eye had been permitted to gaze.
Of "The Egyptians," unfortunately, no fragments remain; it doubtless embodied the main incident in the tragic story of the Danaides. It is related in the legend that Danaos was elected king by the Argives, in place of Pelasgos; being unable to cope with Ægyptos and his sons, who still press their suit, he is compelled to yield to their demand, and promises to give his daughters in marriage to their detested suitors. In secret, however, he furnishes each with a dagger, enjoining her, at the same time, to slay her lord during the nuptial night. The terrible deed was executed. Hypermnestra alone, soothed by love, and preferring the reputation of cowardice to that of blood-guiltiness (Pro. 887), spared Lynceus, the partner of her couch. Here one duty could not be observed without violating another, and thus was brought about that collision between two primary principles of human nature, the reconciliation of which constitutes the essence of the
