Page:The Dunciad - Alexander Pope (1743).djvu/192

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Book IV.
The Dunciad.
161
55 Chromatic tortures soon shall drive them hence,[R 1]
Break all their nerves, and fritter all their sense:
One Trill shall harmonize joy, grief, and rage,
Wake the dull Church, and lull the ranting Stage;
To the same notes thy sons shall hum, or snore,
60 And all thy yawning daughters cry, encore.
Another Phœbus, thy own Phœbus, reigns,[R 2]
Joys in my jiggs, and dances in my chains.
But soon, ah soon Rebellion will commence,
If Music meanly borrows aid from Sense:
65 Strong in new Arms, lo! Giant Handel stands,
Like bold Briareus, with a hundred hands;
To stir, to rouze, to shake the Soul he comes,
And Jove's own Thunders follow Mars's Drums.

Remarks

    to the Sense, and applies to the Passions. Mr. Handel had introduced a great number of Hands, and more variety of Instruments into the Orchestra, and employed even Drums and Cannon to make a fuller Chorus; which prov'd so much too manly for the fine Gentlemen of his age, that he was obliged to remove his Music into Ireland. After which they were reduced, for want of Composers, to practise the patch-work above mentioned.

  1. Ver. 55. Chromatic tortures] That species of the ancient music called the Chromatic was a variation and embellishment, in odd irregularities, of the Diatonic kind. They say it was invented about the time of Alexander, and that the Spartans forbad the use of it, as languid and effeminate.
  2. Ver. 59. Thy own Phœbus reigns,]

    Tuus jam regnat Apollo.Virg.

    Not the ancient Phœbus, the God of Harmony, but a modern Phœbus of French extraction, married to the Princess Galimathia, one of the handmaids of Dulness, and an assistant to Opera. Of whom see Bouhours, and other Critics of that nation. Scribl.