INDEX.
ber in Tragedy, i. 146.
Broom, Ben. Johnson's man, ibid.
Bavius, iii. 24. Mr. Dennis his great opinion of him, ibid.
Bawdry, in Plays, not disapprov'd of by Mr. Dennis, iii. 179.
Blackmore, (Sir Rich.) his Impiety and Irreligion, proved by Mr. Dennis, ii. 268.
——— His Quantity of Works, and various Opinions of them—His abuse of Mr. Dryden and Mr. Pope, ibid.
Bray, a word much beloved by Sir Richard, ii. 260.
Braying, described, ii. 247.
Birch, by no means proper to be apply'd to young Noblemen, iii. 334.
Bl—d, what became of his works, i. 231.
Broome. (Rev. Mr. Will.) His sentiments of our author's virtue, Test. Billingsgate language how to be used by learned Authors, ii. 142.
Bond, Bezaleel, Breval, not living Writers, but Phantoms, ii. 126. Booksellers, how they run for a Poet, ii. 31, &c.
Bailiffs, how poets run from them, ii. 61.
Bridewell, ii. 269.
Bow bell, iii. 278.
Broom, Ben. Johnson's man, ibid.
Bavius, iii. 24. Mr. Dennis his great opinion of him, ibid.
Bawdry, in Plays, not disapprov'd of by Mr. Dennis, iii. 179.
Blackmore, (Sir Rich.) his Impiety and Irreligion, proved by Mr. Dennis, ii. 268.
——— His Quantity of Works, and various Opinions of them—His abuse of Mr. Dryden and Mr. Pope, ibid.
Bray, a word much beloved by Sir Richard, ii. 260.
Braying, described, ii. 247.
Birch, by no means proper to be apply'd to young Noblemen, iii. 334.
Bl—d, what became of his works, i. 231.
Broome. (Rev. Mr. Will.) His sentiments of our author's virtue, Test. Billingsgate language how to be used by learned Authors, ii. 142.
Bond, Bezaleel, Breval, not living Writers, but Phantoms, ii. 126. Booksellers, how they run for a Poet, ii. 31, &c.
Bailiffs, how poets run from them, ii. 61.
Bridewell, ii. 269.
Bow bell, iii. 278.
C
Cibber, Hero of the Poem, his Character, i. 107. not absolutely stupid, 109. not unfortunate as a Coxcomb, ibid. Not a slow writer, but precipitate, tho' heavy, 123. His productions the Effects of Heat, tho' an imperfect one, 126. His folly heightned with Frenzy, 125. He borrow'd from Fletcher and Moliere, 131. Mangled Shakespear, 133. His Head distinguish'd for wearing an extraordinary Periwig, 167. more than for its reasoning Faculty, yet not without Furniture, 177. His Elasticity and Fire, and how he came by them, 186. He was once thought to have wrote a reasonable Play, 188. The general character of his Verse and Prose, 190. His Conversation, in what manner extensive and useful 192, &c. Once design'd for the Church, where he should have been a Bishop, 200. Since inclined to write for the Minister of State, 213. but determines to stick to his other talents, what those are, 217, &c. His Apostrophe to his Works before he burns them, 225, etc. His Repentance and Tears, 243. Dulness puts out the Fire, 257. Inaugurates and anoints him, 287. His Crown, by whom woven, 223. of what composed, i. 303. who let him into Court, 300. who his Supporters, 307. His Entry, Attendants, and Proclamation, usque ad sin. His Enthronization, ii. 1 . Passes his whole Reign in seeing Shows, thro' Book ii. And dreaming dreams, thro' Book iii. Settle appears to him, iii. 35. Resemblance between him and Settle, iii. 37. and i. 146. Goodman's Prophecy of him, iii. 232. How he translated an Opera, without knowing the Story, 305. and incourag'd Farces because it was against his Conscience, 266. Declares he never mounted a Dragon, 268. Apprehensions of acting in a Serpent, 287. What were the Passions of his Old Age, 303, 304. Finally subsides in the lap of Dulness, where he rests to all Eternity, iv. 20. and Note.
——— His Father, i. 31. His two Brothers, 32. His Son, iii. 142. His better Progeny, i. 228.
Cibberian Forehead, what is meant by it, i. 218.
——— read by some Cerberian, ibid. Note.
Cooke (Tho.) abused by Mr. Pope, ii. 138.
Cibber, Hero of the Poem, his Character, i. 107. not absolutely stupid, 109. not unfortunate as a Coxcomb, ibid. Not a slow writer, but precipitate, tho' heavy, 123. His productions the Effects of Heat, tho' an imperfect one, 126. His folly heightned with Frenzy, 125. He borrow'd from Fletcher and Moliere, 131. Mangled Shakespear, 133. His Head distinguish'd for wearing an extraordinary Periwig, 167. more than for its reasoning Faculty, yet not without Furniture, 177. His Elasticity and Fire, and how he came by them, 186. He was once thought to have wrote a reasonable Play, 188. The general character of his Verse and Prose, 190. His Conversation, in what manner extensive and useful 192, &c. Once design'd for the Church, where he should have been a Bishop, 200. Since inclined to write for the Minister of State, 213. but determines to stick to his other talents, what those are, 217, &c. His Apostrophe to his Works before he burns them, 225, etc. His Repentance and Tears, 243. Dulness puts out the Fire, 257. Inaugurates and anoints him, 287. His Crown, by whom woven, 223. of what composed, i. 303. who let him into Court, 300. who his Supporters, 307. His Entry, Attendants, and Proclamation, usque ad sin. His Enthronization, ii. 1 . Passes his whole Reign in seeing Shows, thro' Book ii. And dreaming dreams, thro' Book iii. Settle appears to him, iii. 35. Resemblance between him and Settle, iii. 37. and i. 146. Goodman's Prophecy of him, iii. 232. How he translated an Opera, without knowing the Story, 305. and incourag'd Farces because it was against his Conscience, 266. Declares he never mounted a Dragon, 268. Apprehensions of acting in a Serpent, 287. What were the Passions of his Old Age, 303, 304. Finally subsides in the lap of Dulness, where he rests to all Eternity, iv. 20. and Note.
——— His Father, i. 31. His two Brothers, 32. His Son, iii. 142. His better Progeny, i. 228.
Cibberian Forehead, what is meant by it, i. 218.
——— read by some Cerberian, ibid. Note.
Cooke (Tho.) abused by Mr. Pope, ii. 138.
