"But in his other works what beauties shine!
While sweetest Music dwells in ev'ry line.
These he admir'd, on these he stamp'd his praise,
And bade them live to brighten future days[1]."
So also one who takes the name of
H. Stanhope,
the maker of certain verses to Duncan Campbell[2], in that poem, which is wholly a satyr on Mr. Pope, confesseth,
"'Tis true, if finest notes alone could show
(Tun'd justly high, or regularly low)
That we should fame to these mere vocals give;
Pope more than we can offer should receive:
For when some gliding river is his theme,
His lines run smoother than the smoothest stream," &c.
Mist's Journal, June 8, 1728.
Although he says, "The smooth numbers of the Dunciad are all that recommend it, nor has it any other merit;" yet that same paper hath these words: "The author is allowed to be a perfect master of an easy and elegant versification. In all his works we find the most happy turns, and natural smilies, wonderfully short and thick sown."
The Essay on the Dunciad also owns, p.25. it is very full of beautiful images. But the panegyric, which crowns all that can be said on this Poem, is bestowed by our Laureate,
Mr. Colley Cibber,
who "grants it to be a better Poem of its kind than ever was writ;" but adds, "it was a victory over a parcel of poor wretches, whom it was almost cowardice to conquer.—A man might as well triumph for having killed so many filly flies that offended him. Could he have let them alone, by this time, poor souls! they had all been buried in oblivion[3]."
Here we see our excellent Laureate allows the justice of the satyr on every man in it, but himself; as the great Mr. Dennis did before him.
The said
Mr. Dennis and Mr. Gildon,
in the most furious of all their works (the forecited Character, p.5.) do
