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xxxii
Ricardus Aristarchus

homme[1]; but it never admitted of any doubt but that the Hero of the little Epic should not be so. Hence, to the advantage of our Dunciad, we may observe how much juster the Moral of that Poem must needs be, where so important a question is previously decided.

But then it is not every Knave, nor (let me add) Fool, that is a fit subject for a Dunciad. There must still exist some Analogy, if not Resemblance of Qualities, between the Heroes of the two Poems; and this in order to admit what Neoteric critics call the Parody, one of the liveliest graces of the little Epic. Thus it being agreed that the constituent qualities of the greater Epic Hero, are Wisdom, Bravery, and Love, from whence springeth heroic Virtue; it followeth that those of the lesser Epic Hero, should be Vanity, Impudence, and Debauchery, from which happy assemblage resulteth heroic Dulness, the never-dying subject of this our Poem.

This being confessed, come we now to particulars. It is the character of true Wisdom, to seek its chief support and confidence within itself; and to place that support in the resources which proceed from a conscious rectitude of Will.—And are the advantages of Vanity, when arising to the heroic standard, at all short of this self-complacence? Nay, are they not, in the opinion of the enamoured owner, far beyond it? "Let the world (will such an one say) "impute to me what Folly or weakness they please; but till Wisdom can give me something that will make me more heartily happy, I am content to be gazed at[2]." This we see is Vanity according to the heroic gage or measure; not that low and ignoble species which pretendeth to Virtues we have not, but the laudable ambition of being gazed at for glorying in those Vices which all the world know we have. "The world may ask (says he) why I make my follies publick? Why not? I have passed my time very pleasantly with them[3]." In short, there is no sort of Vanity such a Hero would scruple, but that which might go near to degrade him from his high station in this our Dunciad; namely, "Whether it would no be Vanity in him, to take shame to himself for not being a wise man[4]?"

Bravery, the second attribute of the true Hero, is Courage manifesting itself in every limb; while, in its correspondent virtue in the mock Hero, that Courage is all collected into the Face. And as Power when drawn together, must needs be more strong than when dispersed, we generally find this kind of courage in so high and heroic a degree, that it insults not only Men, but Gods. Mezentius is without doubt the bravest charaćter in all the Æneis; but how? His bravery, we know, was an high courage

  1. Si un Heros Poëtique doit être un honnête homme. Bossu, du Poême Epique, lib. v. ch. 5.
  2. Dedication to the Life of C. C.
  3. Life, p. 2. octavo Ed.
  4. Life, ibid.