Upon reading them, Dino marveled no less than he who had brought them, both because of their beautiful, polished, and ornate style, and because of the depth of meaning that he seemed to discover hidden under the beautiful covering of words.
By reason of these qualities, and of the place where the cantos were found, Dino and the other deemed them to be the work of Dante, as in truth they were. Troubled because the work was unfinished, and unable of themselves to imagine its issue, they determined to find out where Dante was and to send him what they had found, in order that he might, if possible, give the contemplated end to so fine a beginning.
They found, after some investigation, that he was with the Marquis Moruello. Accordingly they wrote of their desire, not to Dante, but to the Marquis, and forwarded the seven cantos. When the latter, who was a man of great understanding, read them, he greatly praised them to himself, and, showing them to Dante, asked him if he knew whose work they were. Dante, recognizing them at once, replied that they were his own. Whereupon the Marquis begged of him that it might be his pleasure not to leave so lofty a beginning without its fitting end. 'I naturally supposed,' said Dante, 'that, in the general ruin of my things, these and many other books of mine were lost. Both from this belief and from the multitude of other troubles that came upon me by reason of my exile, I had utterly abandoned the high design laid hold of for this work. But since fortune unexpectedly has restored the work to me, and since it is agreeable to you, I will try to recall the original idea, and proceed according as grace shall be given me.' And so after a time and not without toil he resumed the interrupted subject, and wrote:
Io dico, seguitando, che assai prima, etc.,
where the coupling of the parts of the work may be clearly recognized upon close examination.
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