of playes sundry tymes as neede required for her Maiestie's lyking', and it is a pity that the name of the payee is left blank in the Account.[1] When the plays had been chosen and knocked into shape, they had to be rehearsed. Now and then they were taken before the Lord Chamberlain for this purpose; but as a rule the rehearsals went on in the presence of the officers at St. John's. Here were a 'greate chambere where the workes were doone and the playes rezited', a storehouse, and the mansions of the officers. The Clerk had an office with a nether room next the yard.[2] Fish complains of the inconvenience of having only one room for every kind of artificer to work in. Items for yellow cotton to line 'the Monarkes gowne' and for his jerkin and hose perhaps point to the use of a lay figure.[3] One Nicholas Newdigate was extremely useful in hearing and training the children who frequently performed.[4] Naturally these gave a good deal of trouble. At Shrovetide 1574 nine of them were employed for a mask at Hampton Court. They had diet and lodging at St. John's, 'whiles thay learned theier partes and jestures meete for the mask'. They were taken from Paul's Wharf to Hampton Court in a barge with six oars and two 'tylt whirreys'. They arrived on Monday, but the Queen would not see them until the Tuesday, and they were lodged for the two nights at Mother Sparo's at Kingston. An Italian woman and her daughter were employed to dress their heads. When they got back to London on Ash-Wednesday, 'sum of them being sick and colde and hungry', fire and victuals were provided at Blackfriars. Each child received a reward of 1s.[5] Trouble was caused also sometimes by the behaviour of the courtiers who took part in festivities. Six horns garnished with silver were provided at a cost of 18s., for a mask of hunters on 1 January 1574, and there is a note in the Account that these horns 'the maskers detayned and yet dooth kepe them against the will of all the officers'. This sort of difficulty was traditional. It was already perplexing the worthy Gibson more than half a century before.[6] That the practice of lending out the Revels stuff was not wholly abandoned is shown by an application from Magdalen College, Oxford, to Tilney in 1592 for furniture for a play.[7] Finance was also a cause of trouble. On his appointment in 1573 Blagrave succeeded in obtaining a 'prest' of £200 to begin the year upon. In 1574 he did the same, but not
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THE REVELS OFFICE
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