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THE MASK
159

The absence of Revels Accounts renders it impossible to construct a full catalogue of masks between the Shrovetide of 1560 and the Christmas of 1571; but there is every reason to suppose that they were given yearly, and a number of scattered notices have survived. Brantôme, who came to court during October 1561, in the train of the Grand Prior Francis of Lorraine, describes a mask of Wise and Foolish Virgins, performed by Elizabeth's maids of honour, who did the Frenchmen the courtesy of taking them out to dance.[1] There was a mask at Baynard's Castle when Elizabeth visited the Earl of Pembroke on 15 January 1562, a 'grett maske' at Whitehall on 18 January after the performance of Gorboduc by the Inner Temple, and on 1 February 'the goodlyest masket that ever was seen', which came in procession from the city to the court.[2] During May 1562 elaborate masks were in preparation for a projected meeting between Elizabeth and Mary of Scots at Nottingham Castle.[3] The meeting never came off, but a scheme for the masks is preserved, and is sufficiently detailed to show the point which had been reached in the evolution of the form. It covers the entertainment of three successive nights. On the first a prison of Extreme Oblivion, under the keepership of Argus or Circumspection, is to be made in the hall. A mask of six or eight ladies is to enter, leading Discord and False Report captive, and preceded by Pallas riding on a unicorn and Prudentia and Temperantia on two lions. Pallas is to declare the intention

    masks of 11 July and 6 August 1559 were probably not given at the royal cost, as the Revels documents are quite silent about them. My list agrees in the main with that in Wallace, i. 199, which however has some errors. There is no evidence for masks on 2 Feb. and 6 Feb. 1559. The list in Feuillerat, Eliz. xiii, is incomplete.

  1. Brantôme, Hommes illustres et Capitaines françois (ed. Buchon, i. 312), 'La reyne . . . donna un soir à soupper, où après se fit un ballet de ses filles, qu'elle avoit ordonné et dressé, représentant les vierges de l'Évangile, desquelles les unes avoient leurs lampes allumées, et les autres n'avoient ny huille ny feu, et en demandoient. Ces lampes estoient d'argent, fort gentiment faictes et elabourées; et les dames estoient très-belles, bien honnestes et bien apprises, qui prindrent nous autres François pour dancer.'
  2. Machyn, 275, 276, 'The furst day of Feybruary at nyght was the goodlyest masket cam owt of London that ever was seen, of a C. and d' [? 150] gorgyously be-sene, and a C. cheynes of gold, and as for trumpettes and drumes, and as for torchelyght a ij hundred, and so to the cowrt, and dyvers goodly men of armes in gylt harnes, and Julyus Sesar played.' The last word is in a later hand, and according to Wallace, I. 200, is a nineteenth-century forgery.
  3. M. S. C. i. 144; Collier, i. 178; from Lansd. MS. v, f. 126, endorsed 'Maij 1562'. A warrant of 10 May 1562 for the delivery of silks for masks and revels to the Master of the Revels is in Feuillerat, Eliz. 114.