the flattery of Elizabeth, the virtue of whose presence obliges Proteus to release the knights from their durance in an Adamantine Rock.[1] Of the place of this mask in the history of the literary form something will be said at a later point.
The gallantry of Gray's Inn was emulated a few years later by the Middle Temple, who, after presenting several masks in their own hall during the Christmas revels of their Prince d'Amour, did their devoir at Court on Twelfth Night with a mask in which the nine Passions issued from a Heart. The mask was followed by a barriers, and preceded by a cavalcade through the streets of a type of which examples have already been noted in 1377 and 1559.[2] In the summer of 1600 one of Elizabeth's maids of honour, Anne, daughter of Elizabeth Lady Russell, left the Court to be married to Henry Lord Herbert, son of the Earl of Worcester. The Queen was present at the wedding on 16 June. She dined at Lady Russell's house in Blackfriars, and supped and lodged for the night in that of Lord Cobham hard by. After supper a mask came in. Eight Muses, represented by maids of honour and others, were come to seek their lost companion. After they had done their performance, they wooed the Queen to dance. She was not proof against the ready tongue of Mary Fitton, and complied. 'Elle dansa gayement et de belle disposition,' says the French ambassador, M. de Boississe, who was present.[3]*
- ↑ Cf. Mediaeval Stage, i. 417, and ch. xxiv.
- ↑ Cf. J. A. Manning, Memoirs of Sir Benjamin Rudyerd, 9, and Mediaeval Stage, i. 416, where, however, the date suggested is the Christmas of 1599-1600. But the Court was not in London that winter, and the indications of days of the week agree with 1597-8. The manuscript description written by Rudyerd is dated 'anno ab aula condita 27'. The Middle Temple hall was built in 1572. The masks in this hall were on 31 Dec. and 7 and 21 Jan. The maskers were accompanied to Court on 6 Jan. by nine torch-bearers carrying devices, eleven knights, eleven squires, and a hundred other torches, as well as trumpeters and heralds. 'Sur Martino', no doubt Richard Martin, the Prince d'Amour, was their leader. Doubtless they took out ladies, as Mrs. Nevill, afterwards a maid of honour, is said to have 'borne the bell away' in the revels.
- ↑ Boississe, i. 415. He says that some gentlemen masked with the filles, of which there is no trace in the other accounts. Letters from Lady Russell about the wedding are in Cecil Papers, x. 121, 175, and it is also referred to by Chamberlain, 79, 83. 'I doubt not but you have heard of the great mariage at the Lady Russell's . . . and of the maske of eight maides of honour and other gentlewomen in name of the muses that came to seeke one of theire fellowes', and by Rowland Whyte (Sydney Papers, ii. 195, 197, 201, 203),'M^{rs} Fitton led, and after they had done all their own ceremonies, these eight Ladies Maskers chose eight Ladies more to dance the measures. M^{rs} Fitton went to the Queen, and wooed her to dance; her Majesty asked what she was. "Affection," she said. "Affection!" said the Queen, "Affection is false." Yet her Majesty rose and danced.' A picture of the Marcus Gheeraerts school (cf. L. Cust in Trans.
