VII
THE COURT PLAY
[Bibliographical Note.—The books cited at the head of ch. iii, with
F. S. Boas, University Drama in the Tudor Age (1914), provide material for
this chapter; cf. A. Thaler, The Players at Court (1920, J. G. P. xix. 19).]
The foregoing chapters have illustrated the overflow of the Renaissance passion for drama, taking shape in the spectacular enrichment of elements in court life which were not originally mimetic in their intention; the welcome, the exercise of arms, the dance. They are subordinate in their interest to us, as they were in fact subordinate by reason of their occasional character to the play itself, which formed, both in Elizabeth's reign and in that of James, the staple amusement of the court winter. The ordinary season for plays was a comparatively restricted one. Traditionally it began with All Saints, but Elizabeth at least rarely reached her winter quarters by the beginning of November, and her revels began with the Christmas festival itself, the twelve days of ancient licence in Calends and Saturnalia that extended from Nativity to Epiphany.[1] Within this period the three feasts of St. Stephen, St. John, and the Innocents, with New Year's Day and Twelfth Night, were nearly always gladdened by play or mask. Sometimes one of them was omitted, and sometimes, in substitution or addition, another day, often the Sunday in Christmas week, was selected. I know no record of a play on Christmas Day itself. Chamberlain writes in January 1608, 'The king was very earnest to have one on Christmas night, though, as I take it, he and the prince received that day, but the Lords told him it was not the fashion. Which answer pleased him not a whit, but said, "What do you tell me of the fashion? I will make it a fashion."'[2] But the Chamber accounts show that he dropped the point. After Twelfth Night there was a lull, broken perhaps by an occasional play, notably on February 2 at Candlemas, until a group of two or three at Shrovetide brought revelling to a conclusion before the rigours of Lent. This was the close of the official season, and the Revels office had now little to think of but the annual airing of the wardrobe stuff, at any rate until the progress came round.
