xix. The Lord Admiral's (Lord Howard's, Earl of
Nottingham's), Prince Henry's, and Elector
Palatine's Men 134
xx. The Lord Chamberlain's (Lord Hunsdon's)
and King's Men 192
xxi. The Earl of Worcester's and Queen Anne's
Men 220
xxii. The Duke of Lennox's Men 241
xxiii. The Duke of York's (Prince Charles's) Men 241
xxiv. The Lady Elizabeth's Men 246
XIV. International Companies 261
i. Italian Players in England 261
ii. English Players in Scotland 265
iii. English Players on the Continent 270
XV. Actors 295
BOOK IV. THE PLAY-HOUSES
XVI. Introduction. The Public Theatres 353
A. Introduction 355
B. The Public Theatres—
i. The Red Lion Inn 379
ii. The Bull Inn 380
iii. The Bell Inn 381
iv. The Bel Savage Inn 382
v. The Cross Keys Inn 383
vi. The Theatre 383
vii. The Curtain 400
viii. Newington Butts 404
ix. The Rose 405
x. The Swan 411
xi. The Globe 414
xii. The Fortune 435
xiii. The Boar's Head 443
xiv. The Red Bull 445
xv. The Hope 448
xvi. Porter's Hall 472
XVII. The Private Theatres 475
i. The Blackfriars 475
ii. The Whitefriars 515
XVIII. The Structure and Conduct of Theatres 518
Page:The Elizabethan stage (Volume 2).pdf/16
This page needs to be proofread.
