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rose to a good average, while 2 Godfrey of Bulloigne, for all its start of 70s., ended with an average of only 28s. The worst first night taking was the 22s. of Nebuchadnezzar, and this affords another curious example of box-office fluctuations, for, though it achieved no higher average than 22s., it rose on its third night to 68s. The worst takings, on other than first nights, were 3s. for Chinon of England,[1] 4s. for Vortigern, and for Olympo, and 5s. twice over for A Woman Hard to Please. Probably these were due to weather or other accidents, as each play averaged enough to justify a reasonable run. The success of the old plays followed much the same lines as that of the new ones. They ran for anything from one night to twenty-four, this total being reached by Dr. Faustus. The best average returns were the 32s. and 38s. of 1 and 2 Tamburlaine, the 30s. of Mahomet, the 29s. of 1 Long Meg of Westminster, the 27s. of The Guise, and the 26s. of The Jew of Malta; the best individual returns the 72s. and 71s. yielded by the respective first nights of Dr. Faustus and 1 Tamburlaine. The persistent popularity of Marlowe's work comes out quite clearly from the statistics; and the success of Chapman's first attempts is also not to be overlooked.

The personnel of the Admiral's men during 1594-7 can be determined with some approach to certainty. They were Edward Alleyn, John Singer, Richard Jones, Thomas Towne, Martin Slater, Edward Juby, Thomas Downton, and James Donstone. Their names are found in a list written in the diary, without any explanation of its object, amongst memoranda of 1594-6.[2] There can be little doubt that it represents the principal members of the company, and in most cases corroborative evidence is available. The books of the Treasurer of the Chamber indicate Alleyn, Jones, and Singer as payees for the Court money of 1594-5, and Alleyn and Slater for that of 1595-6. Alleyn, Slater, Donstone, and Juby are noted in Henslowe's subsidiary accounts for 1596 as responsible for advances made by him on behalf of the company.[3] Another advance was made to Stephen the tireman, and he is doubtless the Stephen Magett who also appears in personal financial relations with Henslowe during 1596.[4] Transactions by way of loan, sale, or pawn are also noted by Henslowe during 1594-7 with Slater, Jones, Donstone, Singer, and Towne, and also with Edward Dutton and

  1. This was on Whit-Tuesday 1596, and I rather suspect a mis-entry of iij^s for iij^{li}, the exact amount taken for the plays of the Monday and Wednesday in the same week.
  2. Henslowe, i. 5.
  3. Ibid. 44.
  4. Ibid. 31, 45.