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and 6 January and 22 February 1596. In the warrant for their fees, dated on 21 December 1596, and made payable to John Heminges and George Bryan, they are described as 'servauntes to the late Lord Chamberlayne and now servauntes to the Lorde Hunsdon'. It is clear that, when the first Lord Hunsdon died on 22 July 1596, the players had been retained by his son and heir, Sir George Carey. The Lord Chamberlainship passed to Lord Cobham; but he died on 5 March 1597, and on 17 March the post was given to the second Lord Hunsdon. The company, then, was properly known as Lord Hunsdon's men from 22 July 1596 to 17 March 1597; before and after that period it was the Lord Chamberlain's men.

To 1596 I assign Shakespeare's Merchant of Venice. Evidence of the occupation of the Theatre about this time by the company is to be found in Lodge's allusion to a revival of Hamlet there, for this play is not likely to have been in other hands.[1] It is not an unreasonable conjecture that James Burbadge destined to their use the playhouse in the Blackfriars, which he purchased in February, and had converted for 'publique' use by November of this year. If so, he and they were disappointed, for a petition of the inhabitants, amongst the signatories to an alleged copy of which Lord Hunsdon himself is somewhat oddly found, led to an intervention of the Privy Council, who forbade plays to be given within the liberty.[2] At this time also the Corporation seem to have succeeded in finally and permanently expelling the players from the City inns which had long been their head-quarters, and Nashe connects this persecution with the loss of 'their old Lord', by whom he doubtless means Henry Lord Hunsdon. It is possible that plays were inhibited altogether during the summer of 1596, although no formal order to that effect is preserved, for Hunsdon's went to Faversham, and Nashe himself was disappointed of 'an after harvest I expected by writing for the stage and for the presse'.[3]

In the following winter the company played at Court on

  1. T. Lodge, Wits Miserie (S. R. 5 May 1596), 56, 'the Visard of y^e ghost which cried so miserably at y^e Theator, like an oister wife, Hamlet, revenge'.
  2. Cf. ch. xvii (Blackfriars). There is a slight doubt as to the authenticity of the text of the petition, which the inclusion of Lord Hunsdon's name can only emphasize. But the fact of the petition and its result are vouched for by a City document of later date. The counter-petition of the players published by Collier, i. 288, in which they are misdescribed as the Lord Chamberlain's men, is a forgery. The names given are those of Pope, Burbadge, Heminges, Phillips, Shakespeare, Kempe, Sly, and Tooley. There is nothing to connect Tooley with the company before 1605.
  3. Cf. App. D, No. cvi.