this year I assign Shakespeare's Antony and Cleopatra and Coriolanus, and to the earlier part of it Ben Jonson's Volpone, in which the principal actors were Burbadge, Condell, Sly, Heminges, Lowin, and Cooke.
Nine Court plays were given during the winter of 1606-7, on 26 and 29 December 1606, and on 4, 6, and 8 January and 2, 5, 15, and 27 February 1607. The entry in the Stationers' Register for King Lear and the title-page of Barnes' The Devil's Charter, both dated in 1607, show these to have been the plays selected for 26 December and 2 February respectively. In the same year were also published Tourneur's The Revenger's Tragedy and Wilkins' The Miseries of Enforced Marriage, and to it I assign the production of Timon of Athens. On 16 July 1607 Heminges lent his boy John Rice to appear as an angel of gladness with a taper of frankincense, and deliver an eighteen-verse speech by Ben Jonson as part of the entertainment of James by the Merchant Taylors at their hall.[1] During the summer the company travelled to Barnstaple, to Dunwich, to Oxford, where they were on 7 September, and possibly to Cambridge. Volpone had probably been given in both Universities before its publication about February 1607 or 1608.
During the winter of 1607-8 the company gave thirteen Court plays, on 26, 27, and 28 December 1606, and on 2, 6, 7, 9, 17, and 26 January, and 2 and 7 February 1607. On each of the nights of 6 and 17 January there were two plays. In 1608 was published A Yorkshire Tragedy, with Shakespeare's name on the title-page, and to it I assign the production of Pericles, in which Shakespeare probably had Wilkins for a collaborator. About May the company had to find their share of the heavy fine necessary to buy off the inhibition due to the performance of Chapman's Duke of Byron by the Queen's Revels.[2] The year was in many ways an eventful one for the King's men. They had, I suspect, to face a growing detachment of Shakespeare from London and the theatre; and the loss was perhaps partly supplied by the establishment of relations with Beaumont and Fletcher, whose earliest play for the company, Philaster, may be of any date from 1608 to 1610. About 16 August died William Sly, leaving his interest in the Globe to his son Robert and legacies to Cuthbert Burbadge and James Sands. Both he and Henry Condell had been admitted to an interest at some date subsequent to
