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Fennor.[1] The latter failed to turn up, and Taylor, who, according to his own account, had advertised 'this Bear Garden banquet of dainty conceits' and collected a great audience, was left 'in a greater puzzell then the blinde beare in the midst of all her whip-broth'. After acting part of what he had intended, he resigned the stage to the regular company:

Then came the players, and they play'd an act,
Which greatly from my action did detract,
For 'tis not possible for any one
To play against a company alone,
And such a company (I'll boldly say)
That better (nor the like) e'r played a play.

This company was no doubt the Lady Elizabeth's, as reconstituted in the previous March under an agreement with Nathaniel Field on their behalf, of which a mutilated copy exists. To it Meade was a party, and there is nothing to establish a connexion between Meade and any other theatre than the Hope.[2] Jonson names the Lady Elizabeth's men as the actors of Bartholomew Fair, and in the Induction thereto, after a dialogue between the Stage-keeper, who is taunted with 'gathering up the broken apples for the beares within', and the Book-holder, a Scrivener reads 'Articles of Agreement, indented, between the Spectators or Hearers, at the Hope on the Bankeside, in the County of Surrey on the one party; and the Author of Bartholmew Fayre in the said place, and County on the other party: the one and thirtieth day of Octob. 1614'. According to Jonson the locality was suitable for a play on Bartholomew Fair, for it was 'as durty as Smithfield, and as stinking euery whit'.[3] There were disputes between Henslowe and the company, partly arising out of an arrangement that they should 'lie still' one day a fortnight for the baiting, and the combination broke up. Some of its members, apparently then Prince Charles's men, are found after Henslowe's death signing an agreement with Alleyn and Meade to play at the Hope, and to set aside a fourth of the gallery takings towards a sum of £200 to be accepted in discharge of their debt to Henslowe.

  1. Taylor, Works (1630), 304, with a reply by Fennor and rejoinder by Taylor. Incidentally Taylor mentions the arras of the theatre and the tiles with which it was covered.
  2. The Southwark vestry order of 1 May 1598 (App. D, No. cxv) seems to connect him with 'play-houses', but I doubt whether anything but the bear garden is meant.
  3. Cf. Satiromastix, 1247, 'Th'ast a breath as sweet as the Rose that growes by the Beare-Garden'.