prefixed lines by Thomas Brabine which tells the 'wits' that 'strive to thunder from a stage-man's throat' how the novel is beyond them. 'Players, avaunt!'[1] In the following year, 1590, Greene continued the attack on the players in the autobiographic romance, already referred to, of Never Too Late (cf. App. C, No. xliii). In 1590 Greene, whose publications had hitherto been mainly toys of love and romance, began a series of moral pamphlets, full of professions of repentance and denunciations of villany. To these belong, as well as Never Too Late, Greene's Mourning Garment (1590) and Greene's Farewell to Folly (1591). A preface to the latter contains some satirical references to the anonymous play of Fair Em (cf. ch. xxiv.) One R. W. retorted upon Greene in a pamphlet called Martine Mar-Sextus (S. R. 8 Nov. 1591), in which he abuses lascivious authors who finally 'put on a mourning garment and cry Farewell'.[2] Similarly, Greene's exposures of 'cony-catching' or 'sharping' provoked the following passage in the Defence of Cony-catching (S. R. 21 April 1592) by one Cuthbert Conycatcher: 'What if I should prove you a cony-catcher, Master R. G., would it not make you blush at the matter?. . . Ask the Queen's players if you sold them not Orlando Furioso for twenty nobles, and when they were in the country sold the same play to the Lord Admiral's men for as many more. . . . I hear, when this was objected, that you made this excuse; that there was no more faith to be held with players than with them that valued faith at the price of a feather; for as they were comedians to act, so the actions of their lives were camelion-like; that they were uncertain, variable, time-pleasers, men that measured honesty by profit, and that regarded their authors not by desert but by necessity of time.'[3] It is probable that the change in the tone of Greene's writings did not correspond to any very thorough-going reformation of life. There is nothing to show that Greene had any share in the Martinist controversy. But he became involved in one of the personal animosities to which it led. Richard Harvey, the brother of Gabriel, in his Lamb of God (S. R. 23 Oct. 1589), while attacking Lyly as Paphatchet, had 'mistermed all our other poets and writers about London, piperly make-plaies and make-bates. Hence Greene, beeing chiefe agent for the companie [i.e. the London poets] (for hee writ more than foure other, how well I will not say: but sat citò, si sat benè) tooke occasion to canuaze him a little.'[4] Apparently he called the Harveys, in his A Quip for an Upstart Courtier (S. R. 21 July 1592, cf. App. C, No. xlvii), the sons of a ropemaker, which is what they were.[5]
- ↑ Grosart, vi. 31.
- ↑ Sig. A 3^v. Farewell to Folly was entered on S. R. on 11 June 1587 (Arber, ii. 471), but the first extant edition of 1591 was probably the first published, and the use of the term 'Martinize' in the preface dates it as at least post-1589 (cf. Simpson, ii. 349).
- ↑ Grosart, xi. 75.
- ↑ Strange News (Nashe, i. 271); cf. Pierce Penniless; his Supplication to the Devil (Nashe, i. 198) and Have With You to Saffron Walden (Nashe, iii. 130). The passage about 'make-plays' is in an Epistle only found in some copies of The Lamb of God (Nashe, v. 180).
- ↑ This allusion is not in the extant 1592 editions of the pamphlet (Grosart, xi. 206, 258).
