Page:The Elizabethan stage (Volume 4).pdf/253

This page needs to be proofread.

after he had lyne two hundred yeares in his Tombe, hee should triumphe againe on the Stage, and haue his bones newe embalmed with the teares of ten thousand spectators at least (at seuerall times) who, in the Tragedian that represents his person, imagine they behold him fresh bleeding? I will defend it against any Collian,or clubfisted Vsurer of them all, there is no immortalitie can be giuen a man on earth like vnto Playes. . . . All Artes to them are vanitie: and, if you tell them what a glorious thing it is to haue Henrie the fifth represented on the Stage, leading the French King prisoner, and forcing both him and the Dolphin to sweare fealty, I, but (will they say) what do we get by it? Respecting neither the right of Fame that is due to true Nobilitie deceased, nor what hopes of eternitie are to be proposed to aduentrous mindes, to encourage them forward, but onely their execrable luker, and fillthie vnquenchable auarice. They know when they are dead they shall not be brought vpon the Stage for any goodnes, but in a merriment of the Vsurer and the Diuel, or buying Armes of the Herald, who giues them the Lyon, without tongue, tayle, or tallents, because his maister whome hee must serue is a Townesman, and a man of peace, and must not keepe any quarrelling beasts to annoy his honest neighbours. In Playes, all coosonages, all cunning drifts ouer-guylded with outward holinesse, all stratagems of warre, all the cankerwormes that breede on the rust of peace, are most liuely anatomiz'd: they shewe the ill successe of treason, the fall of hastie climbers, the wretched end of vsurpers, the miserie of ciuill dissention, and how iust God is euermore in punishing of murther. . . . Whereas some Petitioners of the Counsaile against them obiect, they corrupt the youth of the Cittie, and withdrawe Prentises from theyr worke; they heartily wishe they might bee troubled with none of their youth nor their prentises; for some of them (I meane the ruder handicrafts seruants) neuer come abroade, but they are in danger of vndoing: and as for corrupting them when they come, thats false; for no Play they haue, encourageth any man to tumult or rebellion, but layes before such the halter and the gallowes; or praiseth or approoueth pride, lust, whoredome, prodigalitie, or drunkennes, but beates them downe vtterly. As for the hindrance of Trades and Traders of the Citie by them, that is an Article foysted in by the Vintners, Alewiues, and Victuallers, who surmise, if there were no Playes, they should haue all the companie that resort to them, lye bowzing and beere-bathing in their houses euery after-noone. . . . Our Players are not as the players beyond Sea, a sort of squirting baudie Comedians, that haue whores and common Curtizens to playe womens partes, and forbeare no immodest speech or vnchast action that may procure laughter; but our Sceane is more statelye furnisht than euer it was in the time of Roscius, our representations honourable, and full of gallant resolution, not consisting, like theirs, of a Pantaloun, a Whore, and a Zanie, but of Emperours, Kings, and Princes; whose true Tragedies (Sophocleo cothurno) they do vaunt. Not Roscius nor Æsope, those admyred tragedians that haue liued euer since before Christ was