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TRINITY SUNDAY

161
(Alternative Version)
Harmonised by T. Ravenscroft, in his
Psalter, 1621 (rhythm slightly simplified).

\new ChoirStaff <<
  \new Staff \with {
    instrumentName = \markup {
      \center-column { \smallCaps "People's"
        \line { \smallCaps "Part." }
      }
    }
  } { 
    \clef treble
    \time 4/2
    \partial 1
    \key f \major
    \set Staff.midiInstrument = "choir aahs"
    \omit Staff.TimeSignature
    \set Score.tempoHideNote = ##t
    \override Score.BarNumber #'transparent = ##t 
    \relative c'
      { f1 | f2 e f a | g g f1 \bar"||" \time 2/2 f \break
        \time 4/2 bes2 a f g | a1 \fermata \bar"||" a | a2 bes c a \break
        f g a1 \bar"||" \time 2/2 a \time 4/2 g2 f f e | f1 \fermata \bar"|."} 
      } 
  \new PianoStaff \with {
    instrumentName = \markup {
      \center-column { \smallCaps "Choir"
        \line { \smallCaps "or" }
        \line { \smallCaps "Organ." }
      }
    }
  } <<
    \new Staff = "staff" \with { \consists "Merge_rests_engraver" } {
      \clef treble
      \key f \major
      \set Staff.midiInstrument = "church organ"
      \omit Staff.TimeSignature
      \relative c''
        << { a1 | bes2 g a2. c4 | bes2 g a1 | d
             bes2 c d2. 4 | \time 2/2 cis1 \fermata | r2 c | \time 4/2 c d g, a 
             bes2. c4 d1 | c | c2 a bes a4( g) | a1}
 \\
        { c,1 | d2 c c c | d c c1 | d
          g2 f d g | e1 r2 f2 | f f e c 
          d g fis1 | f | e2 d d c | c1 } >>
      } 
    \new Staff \with { \consists "Merge_rests_engraver" } {
      \clef bass
      \key f \major
      \set Staff.midiInstrument = "church organ"
      \omit Staff.TimeSignature
      \relative c
        << { f1 | f2 e f a | g g f1 | f
             bes2 a f g | a1 a | a2 bes c a 
             f g a1 | a | g2 f f e | f1 } \\
        { r2 f | bes, c4.( bes8) a2 f | bes c f,1 | bes
          g2 a bes bes | a1 \fermata f | f'2 d e f 
          d es d1 | f | c2 d bes c | f,1 \fermata } >>
      }
>> >>
\layout { indent = #12 }
\midi { \tempo 2 = 69 }

[This version may be used in connexion with the other for one or more verses, the people singing the melody as usual.]

7 O listen then, most pitiful,
To thy poor creature's heart:
It blesses thee that thou art God,
That thou art what thou art.

8. Most ancient of all mysteries,
Still at thy throne we lie:
Have mercy now, most merciful,
Most holy Trinity.

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