plice, to be the butt of everyone's ridicule could not be called precisely suffering; inasmuch as Surplice, being unspeakably lonely, enjoyed any and all insults for the simple reason that they constituted or at least implied a recognition of his existence. To be made a fool of was, to this otherwise completely neglected individual, a mark of distinction; something to take pleasure in; to be proud of. The inhabitants of The Enormous Room had given to Surplice a small but essential part in the drama of La Misère: he would play that part to the utmost of his ability; the cap-and-bells should not grace a head unworthy of their high significance. He would be a great fool, since that was his function; a supreme entertainer, since his duty was to amuse. After all, men in La Misère as well as anywhere else rightly demand a certain amount of amusement; amusement is, indeed, peculiarly essential to suffering; in proportion as we are able to be amused we are able to suffer; I, Surplice, am a very necessary creature after all.
I recall one day when Surplice beautifully demonstrated his ability to play the fool. Someone had crept up behind him as he was stalking to and fro, head in air proudly, hands in pockets, pipe in teeth, and had (after several heart-breaking failures) succeeded in attaching to the back of his jacket by means of a pin a huge placard carefully prepared beforehand, bearing the numerical inscription
606
in vast writing. The attacher, having accomplished his difficult feat, crept away. So soon as he reached his paillasse a volley of shouts went up from all directions, shouts in which all nationalities joined, shouts or rather jeers which made the pillars tremble and the windows rattle—
"SIX CENT SIX! SYPH'LIS!"
Surplice started from his reverie, removed his pipe from his lips, drew himself up proudly, and—facing one after another the sides of The Enormous Room—blustered in his bad and rapid French accent:
