"si vous passez par ma vil-le
n'oubliez pas ma maison;
on y mang-e de bonne sou-pe Ton Ton Tay-ne;
faite de merde et les onions, Ton Ton Tayne Ton Ton Ton,"
remembering the fine forgeron of Chevancourt who used to sing this, or something very like it, upon a table—entirely for the benefit of les deux américains, who would subsequently render "Eats uh lonje wae to Tee-pear-raer-ee," wholly for the gratification of a roomful of what Mr. Anderson liked to call "them bastards," alias "dirty" Frenchmen, alias les poilus, les poilus divins....
A little room. The Directeur's office? Or The Surveillant's? Comfort. O yes, very, very comfortable. On my right a table. At the table three persons. Reminds me of Noyon a bit, not unpleasantly of course. Three persons: reading from left to right as I face them—a soggy, sleepy, slumpy lump in a gendarme's cape and cap, quite old, captain of gendarmes, not at all interested, wrinkled coarse face, only semi-méchant, large hard clumsy hands, floppingly disposed on table; wily tidy man in civilian clothes, pen in hand, obviously lawyer, avocat type, little bald on top, sneaky civility, smells of bad perfume or, at any rate, sweetish soap; tiny red-headed person, also civilian, creased worrying excited face, amusing little body and hands, brief and jumpy, must be a Dickens character, ought to spend his time sailing kites of his own construction over other people's houses in gusty weather. Behind the Three, all tied up with deference and inferiority, mild and spineless, Apollyon.
Would the reader like to know what I was asked?
Ah, would I could say! Only dimly do I remember those moments—only dimly do I remember looking through the lawyer at Apollyon's clean collar—only dimly do I remember the gradual collapse of the captain of gendarmes, his slow but sure assumption of sleepfulness, the drooping of his soggy tête de cochon lower and lower till it encountered one hand whose el-
