Egyptians; no laughter lurks in the wondering eyes and the broad calm lips of their statues. Still less can the Assyrians have had any genius for the comic: the round eyes and simpering satisfaction of their ideal faces belong to a type which is not witty, but the cause of wit in others. The fun of these early races was, we fancy, of the after-dinner kind—loud-throated laughter over the wine-cup, taken too little account of in sober moments to enter as an element into their Art, and differing as much from the laughter of a Chamfort or a Sheridan as the gastronomic enjoyment of an ancient Briton, whose dinner had no other "removes" than from acorns to beech-mast and back again to acorns, differed from the subtle pleasures of the palate experienced by his turtle-eating descendant. In fact they had to live seriously through the stages which to subsequent races were to become comedy, as those amiable-looking preadamite amphibia which Professor Owen has restored for us in effigy at Sydenham, took perfectly au sérieux the grotesque physiognomies of their kindred. Heavy experience in their case, as in every other, was the base from which the salt of future wit was to be made.
Humor is of earlier growth than Wit, and it is in accordance with this earlier growth that it has more affinity with the poetic tendencies, while Wit is more nearly allied to the ratiocinative intellect. Humor draws its materials from situations and characteristics; Wit seizes on unexpected and complex relations. Humor is chiefly representative and descriptive; it is diffuse, and flows along without any other law than its own fantastic will; or it flits about like a will-of-the-wisp, amazing us by its whimsical transitions. Wit is brief and sudden, and sharply defined as a crystal; it does not make pictures, it is not fantastic; but it detects an unsuspected analogy or suggests a startling or confounding inference. Every one who has had the opportunity of making the comparison will remember that the effect produced on him by some witticisms is closely akin to the effect produced on him by subtle reasoning which lays open a fallacy or absurdity, and there are persons whose delight in
